In a world where musical boundaries are continually being redefined, Envy of None emerges as a beacon of innovation and creative fusion. This unique collaboration, joining forces of Rush’s Alex Lifeson, Andy Curran, Maiah Wynne, and Alfio Annibalini, has quickly carved out a niche in the progressive rock scene. Their upcoming EP, That Was Then, This Is Now, is set to release on June 9 via Kscope, following their acclaimed 2022 debut. The EP, a compelling blend of remixed tracks and fresh compositions like “Lethe River” and “You’ll Be Sorry,” leads up to the new track “That Was Then,” which promises to add another layer to their evolving sound.
Catching up with Maiah during a hectic period, she offered a glimpse into the band’s dynamics and her own artistic journey. From her parents’ home in Santa Rosa, California, Maiah discussed Envy of None’s approach to their new EP, the interplay of creativity among band members, and the band’s future direction. “It’s a bit busy, a bit chaotic,” Maiah says, capturing the essence of her current state – a whirlwind of creative activity tempered by a sense of purpose and excitement.
Reflecting on the EP’s formation, Maiah highlights the organic nature of their progression from their first album. “It didn’t really feel like it was the end of the road for us,” she shares, emphasizing the seamless transition to this new chapter. The EP’s inception stemmed from the band’s collective desire to showcase less-exposed tracks, particularly those previously limited to their vinyl’s special edition. “We really liked how those songs turned out,” Maiah explains, underscoring the band’s commitment to bringing these creations into the limelight.
Despite geographical separations, they’ve managed to establish an effective workflow. “We are all recording our own pieces and sending them to Alf,” Maiah describes, illustrating how technology bridges their creative spaces. Her role as a lyricist brings an introspective depth to their music. “The lyrics I write are very, very dark,” she says, revealing her inclination towards themes of introspection and healing.
While live performances are not an immediate prospect, the idea resonates within the band. “We’ve talked about the possibility of doing a few shows,” Maiah mentions, pointing to the thoughtful consideration they’re giving to performing live. The notion of more music is also in the air, with Maiah hinting at the ongoing creative drive within the group.
Maiah’s personal journey continues alongside her commitment to Envy of None. She talks about her upcoming tour with Dreadlight, a venture that represents a different facet of her artistic expression. Following this, she anticipates a period of rejuvenation, a necessary step after a burst of creative output.
Envy of None represents a novel convergence in the music world, blending the expertise of seasoned musicians with the innovative ideas of newer artists. This combination not only enriches their music but also places them at the forefront of progressive rock’s evolving landscape. As my conversation with Maiah draws to a close, her optimism and gratitude paint a picture of a band not just making music, but sculpting a unique legacy in the annals of modern rock. With a keen eye on the future, Envy of None stands poised to redefine what it means to be a progressive rock band in today’s diverse and dynamic musical era.
Watch the interview below:
