It was my first time stepping into the Beanfield Theatre. As I entered, I couldn’t help but wonder who came second in the naming rights bidding and by how much they lost. Nonetheless, the cozy venue filled up early with anticipation.
DJ Crook One kicked off the night. I always struggle to review a DJ’s performance at a rock concert. Like, yeah, it was good; people danced, he warmed up the crowd, he did the job he was there to do.
However, the spotlight was on ††† (Crosses), hereinafter referred to simply as Crosses. The brainchild of Deftones frontman Chino Moreno and Far guitarist Shaun Lopez was on tour with their second full-length release, “Good Night, God Bless, I Love U, Delete.” They took the stage with its lead single, “Invisible Hand,” immediately engaging the crowd.
For those accustomed to Deftones, and there were many, judging by the abundance of T-shirts, Crosses is a completely different experience. Yet, Chino still dances about the stage with the same playful energy, always appearing as if he’s sneaking around, afraid to be caught.
Even though the music lacked screams and screeches, there was still tremendous power in his voice, strong and seductive. In fact, as someone who saw the Deftones twice on the Adrenaline tour in the 90s, I can attest that this is the best I’ve heard him sound since those early days before he strained his vocal cords. He was flawless, exuding passion and power without resorting to screams, avoiding the wear and tear usually associated with a Deftones tour.
The entire performance relied on his energy, as Lopez remained hidden in the glow of the three big neon crosses on stage, almost like a shadow. Moreno stood alone out front, successfully captivating the crowd.
While the crowd embraced the new material, the old songs were equally well-received. Tracks like “Bi†ches Brew,” “†elepa†hy,” and “†he Epilogue” were definitely set highlights, along with “Vivien” from the EP “PERMANENT.RADIANT.”
All good things must come to an end though. If they were going to send us back out into the cold February night, “Op†ion” was a great way to cap off the evening, showcasing both the more melodic and intense sides of their music.
The duo did an excellent job of proving that this project stands on its own merits. It’s not just a vanity side project of the singer of an iconic alt-metal band. It has its own groove and fanbase. The crowd sang along to every song, proving they were there for the material, not just the man.
Setlist
Invisible Hand
†his Is a †rick
Ghost Ride
Pleasure
Initiation
Vivien
Eraser
Holier
Sensation
Protection
Girls Float † Boys Cry
Fron†iers
†he Epilogue
†hholyghs†
Bi†ches Brew
Big Youth
End Youth (Reprise)
Encore:
†elepa†hy
Op†ion
Review – Richard Brunette
Photos – Eric Brisson
