Montreal-based duo The Sound of Eddy, consisting of vocalist Abigail Galwey and multi-instrumentalist Danny Trudeau, are poised to release their latest EP, Ladders, on August 30 through Ensoul Records. Known for their distinctive blend of sonorities and experimental approach, the duo continues to push the boundaries of their sound with this new project.
The EP opens with the track “Snakes and Ladders,” where Galwey’s haunting vocals navigate through sleepless nights and mental unrest. The song’s frenetic structure, punctuated by shifting synthesizers, mirrors the themes of uncertainty and transition, with lyrics like “in the limbo now dancing side by side,” drawing listeners into a disorienting yet captivating experience.
“Ladders” moves into more introspective territory with “Doused Deep Inland,” a track that transitions from an eerie soundscape into something more expansive and freeing. Galwey’s lyrics, reflecting on being “breathless from the climb,” suggest a journey of self-discovery, evoking images of reaching a summit and gazing out at new possibilities. The track’s sonic evolution underscores this theme, building from an ambient beginning to a more liberating conclusion.
On “Airport,” The Sound of Eddy lightens the mood with a fusion of house and pop elements. The track is a playful exploration of sound, featuring whimsical touches like a whining synthesizer, laser-like effects, and a swaying bassline that contribute to its lively atmosphere.
The EP closes with “Ice Cream,” where Galwey reflects on the small wonders of everyday life in Montreal. The lyrics, “Guide me I’m alive,” express a deep appreciation for these moments. At the same time, the track’s production—featuring a slowed-down beat and pitch-shifted vocals—adds a layer of complexity to what might initially seem like a simple stroll through the city.
Galwey describes Ladders as “an inner journey where we examine our minds in relation to our emotions and thoughts.” This introspective approach, combined with producer Blaise Borboën-Léonard’s guidance, has led the duo to what Galwey refers to as “previously unknown territory,” both musically and emotionally.
Photos – Eugenie Pigeonnier
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