
Montreal has been waiting a long time for Marie Mai to make another appearance, and there’s no room for disappointment. Three nights at Bell Centre, sans opener.
After an hour of waiting, a humongous screen displayed a video of marie’s profile. Her image glitching as she was shown singing “Empire”. Finally, the screen split down the middle, revealing the icon Marie Mai in the flesh. Ear piercing screams are thrown towards the stage, and she started her first couple songs.

They were very empowering performances. Marie and her backup dancers all expertly moved along to the beats the band was producing. She was stomping so hard that i felt bad for her ankles.
The mood started to calm though, and her dancers sashayed off the stage as a piano melody began. She sat down in the centre stairs, taking in the crowd. Allowing herself to be humbled by the loving cheers she had earned from performing.

Something I just can’t get sick of is seeing artists expressions as they watch a venue filled to the rim scream at the top of their lungs. Marie let her emotions run through her, and with watery eyes, told the crowd how much she had missed montreal, and that she’s so happy to be back.
The thousands populating the bell centre joined her in this cesspool of heartfelt appreciation as she softly sang “La Fin” et “Différents.”

But alas, the pot was stirred once again, and her dancers joined her on stage again to play a few more incredibly performed songs. Intermission starts, and an image of a palace is shining on the screen. Soon, music starts to play again, and Marie takes the stage, ready to blow everyone in the bell centre away once again.
Her set was intense and powerful. She showed Montreal how much she appreciates her success, and how much she loves this city and province.

Marie Mai gave an incredible set, showing off her vocals and talents. Montreal will always go nuts for this Francophone icon, and with reason. She’s a powerful artist, and is unafraid to make a presence in any venue she steps foot into.

Review – Jamie Siddall
Photos – Alexandre René